Michèle Champagne, M.Des.
Née Ottawa, 1980
Artiste graphique
mail@michelechampagne.com
LinkedIn – Bsky.app
Montréal, Québec, CanadaEN —
MONTREAL, 2025
THE STORY OF SHELTER — How architecture media shape our views on housing, for better or for worse.
Essay, self-published.
Edited by Emily Keeler — (soon).
Photography: Jeff Bierk.

THE STORY OF SHELTER — How architecture media shape our views on housing, for better or for worse.
Essay, self-published.
Edited by Emily Keeler — (soon).
Photography: Jeff Bierk.
EN — AMSTERDAM, 2024
DON’T TRY THIS AT HOME — What we learned about the Canadian home, housing, and journalism from Sidewalk Labs in Toronto

DON’T TRY THIS AT HOME — What we learned about the Canadian home, housing, and journalism from Sidewalk Labs in Toronto
Essay, Volume no. 65.
Edited by Stephan Petermann and María Mazzanti.
Published by Stichting Archis and Nieuwe Instituut.
Cover design: Irma Boom.
Edited by Stephan Petermann and María Mazzanti.
Published by Stichting Archis and Nieuwe Instituut.
Cover design: Irma Boom.
FR — MONTRÉAL, 2021
LES SENTIMENTS DU COLOPHON — Sur le bonheur dans l’art et le commerce modernes et leurs influence dans l’œuvre d’Adrien Guillet.
Essai, Adrienguillet.com.
Traduit de l’anglais par Daniel Canty.
Correction par Luba Markovskaia.
Installation: Adrien Guillet.

LES SENTIMENTS DU COLOPHON — Sur le bonheur dans l’art et le commerce modernes et leurs influence dans l’œuvre d’Adrien Guillet.
Essai, Adrienguillet.com.
Traduit de l’anglais par Daniel Canty.
Correction par Luba Markovskaia.
Installation: Adrien Guillet.
EN — MONTREAL, 2020
A SOLO SPACE FOR ALL TO SEE — On the happiness industry and its surveillant nature in pandemic homes.
Essay and photography direction.
The Big Picture series: When a Pandemic Goes Viral
Edited by Emily Gribbin.
Published by New Cities Foundation.
Archive: Toronto Star.

A SOLO SPACE FOR ALL TO SEE — On the happiness industry and its surveillant nature in pandemic homes.
Essay and photography direction.
The Big Picture series: When a Pandemic Goes Viral
Edited by Emily Gribbin.
Published by New Cities Foundation.
Archive: Toronto Star.
EN — AMSTERDAM, 2020
THESE ARE STILL THE TIMES — Interview with Pratt Institute professor Christopher Lee on economic crises and their effects on graphic art, design, and education. For the book Design Dedication. Published by Sandberg Instituut and Valiz Books.
THESE ARE STILL THE TIMES — Interview with Pratt Institute professor Christopher Lee on economic crises and their effects on graphic art, design, and education. For the book Design Dedication. Published by Sandberg Instituut and Valiz Books.
EN — AMSTERDAM, 2019
WHERE THE IMAGE FLOWS — Visual essay on how Sidewalk Labs’ public relations came to dominate journalism in Canada—and the world. For the Failed Architecture platform. Edited by Joshua McWhirter and published by FA Foundation.
WHERE THE IMAGE FLOWS — Visual essay on how Sidewalk Labs’ public relations came to dominate journalism in Canada—and the world. For the Failed Architecture platform. Edited by Joshua McWhirter and published by FA Foundation.
EN — TORONTO, 2019
FILM REVIEW: DESIGN CANADA — Review of Design Canada as a neo-colonial film wrapped in happy tunes, modern design and architecture. For C Magazine no. 141: Graphic Design. Edited by Chris Lee and Ali Qadeer. Published by C The Visual Arts Foundation.
FILM REVIEW: DESIGN CANADA — Review of Design Canada as a neo-colonial film wrapped in happy tunes, modern design and architecture. For C Magazine no. 141: Graphic Design. Edited by Chris Lee and Ali Qadeer. Published by C The Visual Arts Foundation.
EN — MONTREAL, 2018
A CONVERSATION WITH MICHÈLE — Research residency interview on the vocabulary of the happiness industry and the alternatives offered by art and architecture. For Articles journal. Published by Artexte centre for contemporary art.
A CONVERSATION WITH MICHÈLE — Research residency interview on the vocabulary of the happiness industry and the alternatives offered by art and architecture. For Articles journal. Published by Artexte centre for contemporary art.
FR — PARIS, 2018
APPRENDRE DE LUST — Un échange épistolaire avec le rédacteur et curateur Greg J. Smith à la suite de la dissolution du studio néerlandais LUST et LUSTlab à La Haye, aux Pays-Bas. Revue Back Office no. 2. Publié par les Éditions B42.
APPRENDRE DE LUST — Un échange épistolaire avec le rédacteur et curateur Greg J. Smith à la suite de la dissolution du studio néerlandais LUST et LUSTlab à La Haye, aux Pays-Bas. Revue Back Office no. 2. Publié par les Éditions B42.
EN — MINNEAPOLIS, 2017
HANDWRITING IN AN ERA OF GLITTER TEXT GENERATORS — How human handwriting thrives in an era of machine aesthetics, typography, and glitter text generators. Essay for Walker Art Reader. Published by Walker Art Museum.
HANDWRITING IN AN ERA OF GLITTER TEXT GENERATORS — How human handwriting thrives in an era of machine aesthetics, typography, and glitter text generators. Essay for Walker Art Reader. Published by Walker Art Museum.
EN — AMSTERDAM, 2013
CRITICISM AS A FUN MECHANISM — Essay on design and architecture criticism as a fun mechanism for learning and growing. For Volume magazine no 36: Let’s Get Critical. Edited by Brendan Cormier and published by Stichting Archis.
CRITICISM AS A FUN MECHANISM — Essay on design and architecture criticism as a fun mechanism for learning and growing. For Volume magazine no 36: Let’s Get Critical. Edited by Brendan Cormier and published by Stichting Archis.
EN — AMSTERDAM, 2012
NEW CITY MYTHS — Essay on the visual myths of new private towns in London, Lavasa, and “smart” cities like Songdo in South Korea. For Volume magazine no. 34: City in a Box. Edited by Brendan Cormier and published by Stichting Archis.
NEW CITY MYTHS — Essay on the visual myths of new private towns in London, Lavasa, and “smart” cities like Songdo in South Korea. For Volume magazine no. 34: City in a Box. Edited by Brendan Cormier and published by Stichting Archis.
Michèle Champagne, M.Des.
Née Ottawa, 1980
Artiste graphique
mail@michelechampagne.com
Née Ottawa, 1980
Artiste graphique
mail@michelechampagne.com