Michèle 
Champagne, MDes,


Design, Recherche, 
Etcetera,


Montréal,
MailMichhham,





Français, French,


Michèle Champagne est une designer qui circule entre la recherche culturelle, la direction artistique et le design d’édition à travers les médias. Elle travaille la publication comme une conversation publique, et elle dérive les arcanes de la création open source, la rédaction collaborative et la participation des lecteurs. Sa recherche intérroge la culture anti-critique, la psychologie positive, la mesure du bonheur et leurs phénomènes communicatifs. 

Après une maîtrise l’Institut Sandberg à Amsterdam en 2011, Michèle est reconnue pour ses collaborations avec Artexte, Droog, Fondation Mediamatic, Metahaven, Penguin Random House Canada, Institut Strelka et VPRO, un difusseur public néerlandais.


Anglais, English,


Michèle Champagne is a designer who moves between cultural research, creative direction, and publication design across media. She works with publication as a public conversation, and meanders open source dynamics, collaborative authorship, and reader participation. Her research interrogates anti-criticism culture, positive psychology, happiness measurement, and their communication phenomena.

After a Master of Design at Sandberg Institute in Amsterdam, in 2011, Michèle is recognized for her work with Artexte, Droog, Mediamatic Foundation, Metahaven, Penguin Random House Canada, Strelka Institute, and VPRO, a Dutch public broadcaster.    


Formations, Edits,
Education,


Master of Design,
Gerrit Rietveld Academie, Sandberg Instituut, Design Department,
2011, NL

Bachelor of Design,
OCAD University, Faculty of Design, Graphic Design Program,
2005, CA

Certificate in Information Design,
University of Toronto, Faculty of Information,
2001, CA


Parts, Partenaires,
Partners,


Life, Smile, Publication,
Artexte,
2018–2019, CA

A-B-Z,
Artexte, Art Metropole, Gallery 44, InterAccess, UQAM,
2016–2019, CA

Hazlitt, Hazlitt Originals, Hz,
Penguin Random House Canada,
2014, CA

37th NMA catalogue,
National Media Awards Foundation,
2014, CA

That New Design Smell no. 0,
Sandberg Instituut,
2011, NL

Russia Consumes, Fantastical Investments,
Droog, Metahaven, Strelka Institute,
2010–2011, NL–RU

De Verenigde Sandbergen no. 64,
Sandberg Instituut,
2010, NL

Daar Zijn Wij Van,
VPRO,
2010, NL

Mediamatic Travel,
Mediamatic Foundation,
2009, NL


Clés, Conférences,
Lectures,


École de design, UQAM,
2019, CA

Harvard Graduate School of Design,
2018, US

Graphic Designers of Canada,
2016, CA

Typographische Gesselschaft München,
2015, DE

Museum of Contemporary Art Detroit,
2015, US

OCAD Student Union,
2014, CA

École de design, UQAM,
2014, CA

American Institute of Graphic Arts,
2013, US

Sandberg@Mediafonds,
2012, NL

Print Room,
2011, NL


Pédagogies, Trips, Teachings, 



École de design, UQAM,
2017, CA

OCAD University,
2014–2016, CA

York University,
2014–2015, CA

Maryland Institute College of Art,
2013, US


Écritures, Writings,
Whims,



C Magazine no. 141,
C Visual Arts Foundation,
2019, CA

The Graphic Design Reader,
Bloomsbury,
2018, UK

Articles,
Artexte,
2018, CA

Back Office no. 2,
Éditions B42,
2017, FR

The Gradient
Walker Art Centre,
2017, US

Volume no. 36,
Archis Foundation,
2013, NL

Volume no. 34,
Archis Foundation,
2012, NL

De Verenigde Sandbergen no. 64,
Sandberg Instituut,
2010, NL


Credits: Old NewsPhilip Cheung, 2019, CA; The Road to Jazz Fest, Norman Wong, 2014, CA; Screaming Girls, Jo-anne Balcaen, 2005, CA; Colored People, Adrian Piper, 1991, US; Inspection House, Willey Reveley, 1791, UK