Without a View, 2020
More in Common, 2020
IL
FUT
UNE ÉPOQUE OÙ
FUT
UNE ÉPOQUE OÙ
VOIR ÉTAIT LE SYNONYME DE SAVOIR. MAIS CE N’EST PLUS TOUJOURS LE CAS.
La Partecipazione Alle Idee, 2010
Group exhibition
Capo Di Lucca, Bologna, IT
De Verenigde Sandbergen magazine, 2010
Publication design
with Lauren Grusenmeyer
Sandberg Instituut, Amsterdam, NL
Sandberg Instituut, Amsterdam, NL
WHAT HAPPENS WHEN DIGITAL SURVEILLANCE BECOMES “GOOD” FOR YOU, SO TO SPEAK?
When it’s good
for your health, happiness and well-being?
ÉCRITS, WRITING,
A Solo Space For All To See,” 2020
Essay, Photo edit
Photo by Fred Ross
Toronto Star archives
The Big Picture
NewCities Foundation, Montreal, CA
NewCities Foundation, Montreal, CA
MONTREAL, QC – “A Solo Space For All to See,” 2020, On the happiness industry in the home under pandemic peril and “Google Urbanism.”
The Big Picture, NewCities Foundation
AMSTERDAM, NL – “These Are Still The Times,” 2020, Interview with Pratt Institute professor Chris Lee, about economic crises and their effects on graphic design and education.
Design Dedication, Sandberg Instituut and Valiz
PARIS, FR – “Apprendre de LUST : mirroirs et folie numérique,” 2018, Une remémoire épistolaire avec l’éditeur Greg J. Smith sur la dissolution du studio néerlandais LUST.
Back Office, Édition B42
Plana Pastoralem, 2019
Terra Nullius 1, 2019
AMSTERDAM, NL – “Where The Image Flows: How Sidewalk Labs’ Public Relations Came To Dominate Journalism,” 2019, How Google’s sister company pitched a “smart” city image for Toronto.
Failed Architecture, FA Foundation
AMSTERDAM, NL – “On Criticism As A Fun Mechanism,” 2013, How design and architecture criticism could be more fun and conversational—whether positive or negative.
Volume magazine, Archis Foundation
AMSTERDAM, NL – “New City Myths,” 2012, On the visual culture of private towns as a key tool in the power brokering of architecture, real estate and geopolitics.
Volume magazine, Archis Foundation
Ligna, 2019
A
LARGE
PART
OF
JUSTIN
TRUDEAU’S CHARM
LARGE
PART
OF
JUSTIN
TRUDEAU’S CHARM
lies in his youthful sunny ways, and Eric Schmidt follows suit with his brand of radical optimism. Sunny. Confident. Cheerful. It’s the ideology of positive psychology elevated to public-private statecraft.”
Quote from “Where The Image Flows,” on Sidewalk Labs’ promoters and public relations in Toronto.
Failed Architecture,
Amsterdam, NL
2019
Quote from “Where The Image Flows,” on Sidewalk Labs’ promoters and public relations in Toronto.
Failed Architecture,
Amsterdam, NL
2019
New City Myths,” 2012
Essay
Volume magazine
Archis Foundation, Amsterdam, NL
Terra Nullius 2, 2019
Guest professor, Editor
École de design, UQAM
Montréal, QC
Shin Yoshikawa: The Art of the Cutaway,” 2015
Creative direction
Photo by Ryan Young
Apex magazine, Los Angeles, US
Handwriting in an Era of Glitter Text,” 2017
Essay, Photo edit
Photo by Norman Wong
The Gradient, Walker Art Center,
Minneapolis, US
Centre for Digital Rights website, 2019 to 2020
Mobile view
Code by Nicolas Roy at Folklore Inc.
Code by Nicolas Roy at Folklore Inc.
Centre for Digital Rights print ad, 2020
Writing, Creative direction
Photo by Philip Cheung
For Globe and Mail, Financial Post
Writing, Creative direction
Photo by Philip Cheung
For Globe and Mail, Financial Post
On The Road to Jazz Fest,” 2015
Creative direction
Creative direction
Photo by Norman Wong
Apex magazine, New Orleans, US
Apex magazine, New Orleans, US
PSYCHOLOGISTS AND DATA SCIENTISTS DOMINATE THE VOCABULARY OF THE “HAPPINESS” INDUSTRY. EVEN ECONOMISTS AT THE UNITED NATIONS.
WHY?
Research Residency, 2018
Artexte, Montréal, QC
Qu’en est-il lorsque le bonheur et le bien-être se font prendre par les infrastructures de mesure et de
surveillance
numérique ?
surveillance
numérique ?
MONTREAL, QC – Written interview: “A conversation with Michèle Champagne,” 2018, On the vocabulary of the happiness industry and the critical alternative offered by art and architecture.
Articles, Artexte
TORONTO, CA – “Greg Durrell: Design Canada,” 2019, Review of Design Canada as a specimen of Canada’s dominant colonial fiction—repackaged with modernism and happy house tunes.
C Magazine, C The Visual Arts Foundation
Happiness is Desire, 2018
On The Road to Jazz Fest,” 2015
Creative direction
Photo by Norman Wong
Apex magazine,
New Orleans, US
On The Road to Jazz Fest,” 2015
Creative direction
Creative direction
Landscape by Norman Wong
Apex magazine, New Orleans, US
Apex magazine, New Orleans, US
Daar Zijn Wij Van, 2010
Publication design
Publication design
with Brigiet van den Berg
VPRO, Hilversum, NL
Best Annual Report,
Graphic Culture Foundation, 2010
VPRO, Hilversum, NL
Best Annual Report,
Graphic Culture Foundation, 2010
For an exhibition at Brakke Grond,
Amsterdam, NL
Hazlitt magazine, 2014
Creative direction, Responsive web redesign
Edited by Christopher Frey
Penguin Random House Canada, Toronto, CA
Website of the Year, National Magazine Awards, 2015
Penguin Random House Canada, Toronto, CA
Website of the Year, National Magazine Awards, 2015
Hazlitt magazine, 2014
Mobile view
Code by Wayne Thayer
Hz application, 2014
Custom Hazlitt image editing app
Code by Cedric Flazinski
On The Road to Jazz Fest,” 2015
Creative direction
Photo by Norman Wong
Apex magazine, New Orleans, US
Creative direction
Photo by Norman Wong
Apex magazine, New Orleans, US
Handwriting in an Era of Glitter Text,” 2017
Essay, Photo edit
Photos by Norman Wong
The Gradient,
Walker Art Center, Minneapolis, US
